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A Soft Focus on War

When Kathryn Bigelow’s The Hurt Locker won all the big Oscars over James Cameron’s Avatar, the victory was perceived as a good sign of the state of things in Hollywood: A modest production meant for independent festivals clearly overran a superproduction whose technical brilliance cannot cover up the flat simplicity of Read more…

By Slavoj Žižek, ago
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Green Berets with a Human Face

The victory at the Oscars of Kathryn Bigelow’s [amazon asin=B00942XWWI&text=The Hurt Locker] over James Cameron’s [amazon asin=B00AVF8USS&text=Avatar] was generally perceived as a good sign of the state of things in Hollywood: a low-budget, independent film overcomes a superproduction whose technical brilliance cannot cover up the flat simplicity of its story. So Hollywood Read more…

By Slavoj Žižek, ago

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