The Universal Exception (Preface)

The big Other between violence and civility Slavoj Zizek   The ‘universal exception’, according to Lacan, is the fundamental feature of the symbolic order (the ‘big Other’) as the order of universality: each universality is grounded in its constitutive exception. This feature is to be supplemented with its no less paradoxical obverse, the so-called ‘not-All [pas tout]’: an order (or rather, a field, a signifying space) with no exception that is eo ipso not-all, and[ …]

Christ, Hegel, Wagner

[Appeared in 2008, International Journal of Zizek Studies, Vol. 2, No. 2, pp. 1-12 (pdf)] In pre-digital times, when I was in my teens, I remember seeing a bad copy of Vertigo – its last seconds were simply missing, so that the movie appeared to have a happy ending, Scottie reconciled with Judy, forgiving her and accepting her as a partner, the two of them passionately embracing… My point is that such an ending is[ …]

Why is Wagner Worth Saving?

[Appared in Journal of Philosophy and Scripture, 2004, Vol. 2, No. 1. pdf.] With Romanticism, music changes its role: it is no longer a mere accompaniment of the message delivered in speech, it contains/renders a message of its own, “deeper” than the one delivered in words. It was Rousseau who first clearly articulated this expressive potential of music as such, when he claimed that, instead of merely imitating the affective features of verbal speech, music[ …]