Mercy and its Transformations

[Appeared in Muzikološki zbornik, 2009, Vol. 45, No. 2, pp. 7-16. pdf] [Abstract:] Far from radiating the dignity of the severe but merciful rulers of Mozart’s early operas, Tito’s acts display features of hysterical self-staging. The falsity of his position is rendered by the music itself, which, in a supreme display of Mozartean irony, undermines the opera’s explicit ideological project. It is a very rare case that a (relatively) unpopular work like Mozart’s La clemenza di Tito[ …]